Program 22 is chock full of vintage belly dance goodness! Here's archive show 21! Hope you enjoy it! Thanks for bearing with me, folks! Here at last is archive show 20 - more to come! My apologies. Hey everyone - I want to very sincerely apologize to all of you for not posting any programs for a while. The last 3 months have been pretty intense for me. My mother had two major surgeries, and I've been extremely preoccupied with her care.
Things are starting to settle down now, however, and I believe I will be able to get some new shows up this week. Thank you so much for bearing with me - Radio Bastet fans are the greatest and kindest people in the world!!! I truly hope you enjoy Program 19; it's one of my favorites! Here's Program 18! Program 17 features a section of slower tunes instead of the usual routine; enjoy!
VII - Kashmira's Fantasy6. Did you know? See that little player in the top right-hand corner of the page? Did you know that if you click on the little Play arrow button in the lower right corner of the player, it will play the most recent podcast?
And that if you click the other two buttons on either side, it will navigate forward and back to the other podcasts available? And that if you click on the Arrow tab in the top left corner of the player, the player will detach so you can continue to listen to the podcasts as you surf the web?
Did you know that? I didn't know that. How cool is that?? This one is hot! What can I say - another stellar archive show! Happy New Year, everybody! Soraya from the album Sweet Nights8. Ourak El Nakhil from the album Belly Dance!
Archive show 12, featuring some special requests at the end of the program! I'm always up for your requests; please let me know! More vintage goodness from the vaults! Radio Bastet in a bottle! I'm reposting this one; the holidays are coming up, you know! My dear friend Vajra at Conjure Oils "Fine Fragrances Magickal and Mundane" has created a very special perfume oil inspired by the exotic music and heady bellydance magic of Radio Bastet!
Red Egyptian musk, attar of roses, amber, vanilla, patchouli and champa comprise this seductive blend that will have you shimmying and swaying the night away! This fragrance is not part of the regular Conjure Oils line; Vajra will "conjure it up" especially for you when you request the Radio Bastet fragrance oil! Please find ordering information here. Many thanks and Happy Holidays!!! Ladies and gentlemen, presenting yet another stellar program from the vaults!
Shimmy on, I say! Balady from the album Sweet Nights3. Program 9. Sorry for the delay, folks! I will try to get a new show up every Sunday night or so. Here's the next archive show - shimmy on! Program Various - Serious Listening Music Vol.II (CD) Playlist: 1. OK people, here's the deal:. I realize I haven't updated in over 2 months. I'm really sorry about that. Real life, however, is intruding upon my internet life: 1. My computer is suffering from a virus.
We've done everything short of actually taking it in and having it fixed. In the meantime, internet work is quite a hassle. I'm working full-time this summer at a temp job. I have very little free time anymore. The site hasn't been updated and the house is a mess. So, there's that. So please, bear with me a bit longer. I wish I were SuperWoman, but I'm just not.
Hope you all are having a great summer. Program 8. More archive goodness! Program 7. One of my favorite archive episodes! Program 6. Another grand archive episode! Apologies for my none-too-professional zaghareet in the intro you may want to turn your volume down, heh Farhat Shabab - from the album Belly Dance! Spectacular Rhythms from the Middle East2.
Evil Plan, Part 2. OK gang. I've thought, meditated, ruminated, contemplated, and even prayed about this. Here is Various - Serious Listening Music Vol.II (CD) it's going to be.
I am not going back to the old streaming format. Podcasts have become the preferred format for presenting Various - Serious Listening Music Vol.II (CD) programs on the internet. They are relatively easy to put together, and they are completely downloadable by the listener to carry around on their iPod or burn onto a CD. There is no reason to be afraid Various - Serious Listening Music Vol.II (CD) or intimidated by podcasts. A podcast is essentially nothing more than a big mp3 file. Bought 15th October at Conforma, guaranteed for 2 years.
Selling because we are moving. No delivery available. To be collected in Lamentin. To be collected in Lamentin Table Perfect condition. Selling as we are moving. Tactile sensor to modify light intensity; USB charger; lumens Selling as we are moving. I monaci irlandesi introdussero la spaziatura tra le parole nel VII secolo. L'innovazione fu poi adottata anche nei Paesi neolatini come l'Italiaanche se non divenne comune prima del XII secolo.
Si ritiene che l'inserimento di spazi tra le parole abbia favorito il passaggio dalla lettura semi-vocalizzata a quella silenziosa. Prima dell'invenzione e della diffusione del torchio tipograficoquasi tutti i libri venivano copiati a mano, il che li rendeva costosi e relativamente rari.
I piccoli monasteri di solito possedevano al massimo qualche decina di libri, forse qualche centinaio quelli di medie dimensioni. Il processo della produzione di un libro era lungo e laborioso. Infine, il libro veniva rilegato dal rilegatore. Esistono testi scritti in rosso o addirittura in oro, e diversi colori venivano utilizzati per le miniature. A volte la pergamena era tutta di colore viola e il testo vi era scritto in oro o argento per esempio, il Codex Argenteus.
Per tutto l'Alto Medioevo i libri furono copiati prevalentemente nei monasteri, uno alla volta. Il sistema venne gestito da corporazioni laiche di cartolaiche produssero sia materiale religioso che profano. Questi libri furono chiamati libri catenati. Vedi illustrazione a margine. L' ebraismo ha mantenuto in vita l'arte dello scriba fino ad oggi. Anche gli arabi produssero e rilegarono libri durante il periodo medievale islamicosviluppando tecniche avanzate di calligrafia arabaminiatura e legatoria.
Col metodo di controllo, solo "gli autori potevano autorizzare le copie, e questo veniva fatto in riunioni pubbliche, in cui il copista leggeva il testo ad alta voce in presenza dell'autore, il quale poi la certificava come precisa". In xilografiaun'immagine a bassorilievo di una pagina intera veniva intagliata su tavolette di legno, inchiostrata e usata per stampare le copie di quella pagina.
Questo metodo ebbe origine in Cinadurante la Dinastia Han prima del a. I monaci o altri che le scrivevano, venivano pagati profumatamente. I primi libri stampati, i singoli fogli e le immagini che furono creati prima del in Europa, sono noti come incunaboli. Folio 14 recto del Vergilius romanus che contiene un ritratto dell'autore Virgilio. Da notare la libreria capsail leggio ed il testo scritto senza spazi in capitale rustica. Leggio con libri catenatiBiblioteca Malatestiana di Cesena. Incunabolo del XV secolo.
Si noti la copertina lavorata, le borchie d'angolo e i morsetti. Insegnamenti scelti di saggi buddistiil primo libro stampato con caratteri metallici mobili, Le macchine da stampa a vapore diventarono popolari nel XIX secolo.
Queste macchine potevano stampare 1. Le macchine tipografiche monotipo e linotipo furono introdotte verso la fine del XIX secolo. Hartla prima biblioteca di versioni elettroniche liberamente riproducibili di libri stampati. I libri a stampa sono prodotti stampando ciascuna imposizione tipografica su un foglio di carta.
Le varie segnature vengono rilegate per ottenere il volume. L'apertura delle pagine, specialmente nelle edizioni in brossuraera di solito lasciata al lettore fino agli anni sessanta del XX secolomentre ora le segnature vengono rifilate direttamente dalla tipografia. Nei libri antichi il formato dipende dal numero di piegature che il foglio subisce e, quindi, dal numero di carte e pagine stampate sul foglio. Le "carte di guardia", o risguardi, o sguardie, sono le carte di apertura e chiusura del libro vero e proprio, che collegano materialmente il corpo del libro alla coperta o legatura.
Non facendo parte delle segnaturenon sono mai contati come pagine. Si chiama "controguardia" la carta che viene incollata su ciascun "contropiatto" la parte interna del "piatto" della coperta, permettendone il definitivo ancoraggio. Bob Dylan . Dylan talked about his difficulty at the recording sessions in an interview with Guitar World magazine. I get bored easily, and my mission, which starts out wide, becomes very dim after a few failed takes and this and that.
Those records were made a long time ago, and you know, truthfully, records that were made in that day and age all were good. They all had some magic to them because the technology didn't go beyond what the artist was doing.
It was a lot easier to get excellence back in those days on a record than it is now The high priority is technology now. It's not the artist or the art. It's the technology that is coming through. That's what makes Time Out of Mind If that record was made more haphazardly, it wouldn't have sounded that way.
It wouldn't have had the impact that it did There wasn't any wasted effort on Time Out of Mind and I don't think there will be on any more of my records. The album's cover art is a blurry photo of Dylan in the recording studio, taken by Lanois. The first track on this album is the sparsely recorded "Love Sick", which was later also released as a single.
Daniel Lanois later said about the recording process of this song, "We treated the voice almost like a harmonica when you over-drive it through a small guitar amplifier".
Lanois recalls, "He made me pull out the original cassette, sample sixteen bars and we all played over that [for the released version], Michael Gray writes, " 'Dirt Road Blues', which might under normal production circumstances be a heartening, even dexterous little rockabilly number, puts Dylan so far away and so tiny you just despair".
The song has been subject to a literary analysis by Professor Christopher Ricks which he claims demonstrates the clearest example of John Keats ' influence on Dylan's writing. Broken down line for line, "similar turns of phrase, figures of speech, [and] felicities of rhyming" can be found throughout "Not Dark Yet" and the Ode.
Various - Serious Listening Music Vol.II (CD) also argues that "there is a strong affinity with Keats in the way that in the song night colours, darkens, the whole atmosphere while never being spoken of", just as Keats used winter to color and darken the atmosphere in another poem he wrote, To Autumn.
He bears it and bares it beautifully, with exquisite precision of voice, dry humour, and resilience, all these in the cause of fortitude at life's going to be brought to an end by death". The next song, "Cold Irons Bound", won the Grammy for best male rock vocal performance. Oliver Trager describes the track as "biting" with "ricocheting guitar licks, rockabilly drums, distorted organ, and [a] voice floating in a blimp of its own echo," in which "one can still hear, to paraphrase ' Visions of Johanna ', the ghost of electricity howling from the bones of Dylan's face There's an interesting tension, too, in 'Cold Irons Bound', perhaps more accurately an interesting inappropriateness between, on one side, the grinding electronic blizzard of the music and the cold, aircraft-hangar echo of the voice lamenting its sojourn across a lethal planet—fields turned brown, sky lowering with clouds of blood, winds that can tear you to shreds, mists like quicksand—and on the other side the recurrently stated pursuit of tenderness, in phrases that seem imported from another consciousness.
It was recorded under the original title by Bryan Ferry on Dylanesque and by Adele on In his review, Kot described the track as "a spare ballad undermined by greetingcard lyrics [that] breaks the album's spell". He said: " The penultimate track of the album is "Can't Wait". Greg Kot wrote, "On Time Out of Mind[Dylan] paints a self-portrait with words and sound that pivots around a single line from the album's penultimate song, 'Can't Wait': "That's how it is when things disintegrate"".
Deluxe Editions of this album contain two alternate versions of the song. The closing track, at time of release the longest composition ever released by Dylan, the minute "Highlands", most probably took its central motif "My heart's in the highlands" from a poem by Robert Burns called "My heart's in the highlands" published in But, anyway, after we finished it, one of the managers came out, and he said, "Well, Bob, have you got a short version of that song?
The song describes a story of the narrator and his interactions with a waitress of a restaurant in Boston Town. Dylan mentions Neil Young and Erica Jong in this song. Keith Phipps of The A. Fifteen songs were recorded for Time Out of Mindof which eleven made the final cut. The first song that did not make the album was " Mississippi ", which was re-recorded for Love and Theft. According to Dylan, "If you had heard the original recording of ['Mississippi'], you'd see in a second" why it was omitted and recut for Love and Theft.
Thought it was pedestrian. Took it down the Afro-polyrhythm route—multirhythm drumming, that sort of thing. Polyrhythm has its place, but it doesn't work for knife-like lyrics trying to convey majesty and heroism". A second outtake, " Dreamin' of You "', also released on Tell Tale Signswas unveiled for the first time as a free download on Dylan's website.
Its lyrics were partly adapted into " Standing in the Doorway ", though the melody and music are completely different. The music video, which starred Harry Dean Stantonpremiered on Amazon. Two more songs, "Red River Shore" which according to Jim Dickinson was "the best song there was from the session"  and "Marching to the City" which evolved into "'Til I Fell in Love with You"were left off the final cut.
The Official Charts Company. Australian Chart Book — Retrieved April 2, Archived from the original PHP on Archived from the original on January 10, Retrieved May 29, Retrieved 16 January Swedish Recording Industry Association.
London: Official Charts Company. Archived from the original on 3 September Retrieved 9 September Archived from the original on 22 February Retrieved May 20, IFPI Danmark. Retrieved August 7, Bundesverband Musikindustrie. December 26, Retrieved July 7, Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers. Enter Graceland in the "Artiest of titel" box. Recorded Music NZ. Music and Media.
American Radio History Archive. Retrieved 1 January British Phonographic Industry. Recording Industry Association of America. Discography Songs recorded Songs written.
Greatest Hits, Etc. Awards for Graceland. Grammy Award for Album of the Year. Authority control MusicBrainz release group. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. Worldbeat pop rock folk. Warner Bros. Hearts and Bones Graceland Negotiations and Love Songs Problems playing this file? See media help.
Christgau's Record Guide. A . Encyclopedia of Popular Music. A . The Rolling Stone Album Guide. The Year In Records .
New Musical Express. Stereo Review. Record of the Year Awards . The Best Albums of the Eighties . Top Favorite Records of the s . Top 40 Albums of All Time . The Greatest Albums of All Time . The 80 Best Records of the 80s. All-Time Albums . Best Albums of the s . Album of the Year .
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