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Evel Knievel. Cutting Carol. Goodybe Mr. Sweet Sweet Satan. Call Me Animal. Joker Express. Hooly Ghouly. This is from their self-titled album. A Killboy Powerhead - Didjits - Hornet Pinata (Cassette track from 'Hornet Pinata'. A third from their debut E. And a second from their debut album. Their last single before the line-up and sound changed. Enough of this nonsense, unleash the fireworks and Japanese monster movie footage for a fourth track from 'Hornet Pinata' with the best rock video ever made.
A fourth from their debut E. Although I'd feared for 'Criminal Flowers', The Execute's metal transformation was sadly only delayed for one record. This was the only track I could stomach from their 'Blunt Sleazy' E. A fifth track from 'Hornet Pinata'. And a fifth from their debut E. A second track from ''. The title track from their debut album of the same name. A sixth Killboy Powerhead - Didjits - Hornet Pinata (Cassette 'Hornet Pinata'. And a sixth from their debut E.
Policeman' from 'Hornet Pinata'. Get it here. Labels: Post-punkpowerpopPunkPunk rockthrash. We'll begin with a bit of feedback and a scream to get you going. A much overlooked Philidelphia band. From their debut album 'Playdoh Meathook'. An early Black Flag effort now with Keith Morris on vocals. The 'Psychos didn't have that many great songs but they had a great beefy sound throughout. This is from their debut mini-album of the same name. From a split E. Get the other Album) here.
One of the highlights from their debut album 'Do It Dog Style'. Just to add a bit of quirkiness, here's one from their debut 7". Their debut album ' Katupoikia' was half-studio, half-live.
This is one of the studio tracks. A jaunty instrumental from second album 'Rassafranna'. From their only single. Get the other side here. Another track from 'The Lost Tapes'. The third of three singles they released. I reckon the best. A bit of powerpop perfection now which should have been a Killboy Powerhead - Didjits - Hornet Pinata (Cassette hit, but wasn't. From 'Playdoh Meathook'. A classic single with deep, deep lyrics.
The flipside of 'Dame To Blame'. One of the live tracks from ' Katupoikia'. Better than the earlier single version. Classic live version from 'The Decline' here. Another great B-side. This one backed their fourth single 'Killing Time'. A brilliant reworking of this '60s classic from second album 'Rassafranna'. A third track from 'The Lost Tapes'. The opening track from 's 'Go The Hack'.
The equalizer circuit is employed to 'flatten' the response of the audio output and therefore produce a more accurate output. The following image is the playback head from a budget cassette player. This is as simple as a stereo tape head gets. This head doesn't even have a tape guide. This next head is a bit more complex. Cassette machines that can record have at least two heads. The first head erases the tape just before the second head records the new material.
For a machine with only two heads, you have to record the Killboy Powerhead - Didjits - Hornet Pinata (Cassette, rewind it and then play it to know how the recording sounds. For 3-head decks, the playback head is just after the record head. This allows you to listen to the tape as it's being recorded with a fraction of a second delay so that you can adjust the levels or other settings to get the best possible recording.
This head is from a 3-head deck Pioneer CT-F Multi-Channel Playback: In a previous section, it was stated that an 'autoreverse' tape deck could play both sides of a tape without manually flipping the cassette. On a standard stereo cassette tape, there are 4 tracks of audio.
Each 'side' of the tape has a left and a right channel. A typical stereo tape head has 4 individual magnetic pickups. Each pickup basically consists of a magnetically conductive material wrapped Album) a coil of wire.
The wires of the coil are connected to terminals on the back of the head.
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