Julian Jarrold became attached to direct the film in early This piece needed to be handed with delicacy but also with a certain amount of brio and Julian was able to bring those two things to the production. Jarrold depended most heavily on the script, calling it "a rich, witty and clever screenplay from someone who obviously knew his subject very well.
It is a love story but much more besides. Kevin's screenplay has so many layers and interesting ideas. Apart from the love story I was very attracted by the themes of imagination and experience. Jarrold sought to make Becoming Jane "look and feel" realistic "so everything is not lit in a very glamorous Hollywood way.
A fan of Jane Austen since she was fourteen, Hathaway immediately began rereading Austen's books, conducting historical research including perusing the author's letters, and also learned sign language, calligraphy, dance choreography, and playing the piano.
She moved to England a month before production began to improve her English accent, and attempted to stay in character throughout filming, the first time she had done so for a movie.
There were concerns in some quarters that the American Hathaway was playing a beloved English writer. James McAvoywho plays Thomas Langlois Lefroybelieved that filming in Ireland made her casting "a bit safer" than if they had shot in England. McAvoy accepted the role because he enjoyed Austen's writings and was eager to work with Jarrold, having collaborated with him previously on the television production White Teeth. Darcy ; the actor soon realised however "that the screenplay was nothing like Pride and Prejudice.
The screenwriter probably speculated on some of the inspiration for Pride and Prejudice but it is a completely different story. Julie Walters had once disliked Austen's writings but changed her mind when she read Pride and Prejudice after receiving her role as Mrs. Austen was actor James Cromwellwho viewed his character as "a generous gentleman, well educated and supportive of Jane for the most part. He is bedevilled by his financial circumstances but deeply in love with his wife and sympathetic to her concerns about what will happen to the girls if they don't marry.
Cohu believed that her character "needs security. She is looking to be safe. She finds that security with Henry as she knows the Austen family. Anna Maxwell Martin appeared as Jane's sister Cassandra. The actress called her character "terribly sensible", noting that she "gets her heart broken. It's very sad. She's the levelling force for Jane Austen, the wild one. She tries to get her back in line, but fails miserably.
She was interested in both the effects of continental fashions on English clothing and the differences between social classes. She explained, "We wanted to show that transition especially for the women. The look in London is very different from the look in the countryside.
For the country Brideshead - Some People Have All The Fun (CD the fashion for the older women is more of the old style but for the younger women we show the introduction of the Empire line. The costume designer created all of Hathaway's outfits from scratch, and "looked for images of a young Jane Austen. But crucially there was also her strength of character. So we kept away from frills and flounces.
I wanted a definite look that was quite strong but also pretty at the same time. Jane was living on a working farm so her dress had to be practical as well.
In terms of the costume we were definitely trying to steer away from the chocolate box image that we associate with Jane Austen. She recalled that "he wears very stylish waist coats and cut-away jackets.
With Jane around he'd have an extra swagger in front of her. James McAvoy was really into it. We'd talk about the colours and fabrics to achieve his distinctive look. Lady Gresham is very much her own character and is not someone who is dictated to by fashion. There are no rolling hills so the vegetation and the landscaping was the trickiest thing for me as a production designer. Brideshead - Some People Have All The Fun (CD to its low budget,  Becoming Jane was filmed on a "tight" schedule of eight weeks  from March to May But hopefully we can also take them into areas and places like the boxing club, the cricket game and the fair that do not feature in Jane Austen's fiction.
They are sort of seedy and dangerous areas that are not normally associated with Austen. We had to make it work in the locations that we had as efficiently as possible.
The story's central location was set at Steventon rectory where Austen was raised. We honed the script as well to make it as practical as possible. Jane spent all her formative years there and that was the place that influenced her view of the world. You have to believe that the family live in that house because that is a crucial piece of the jigsaw. Charleville Castle stood in for the interior scenes of Lady Gresham's estate,  while Kilruddery House, an old Elizabethan revival estate, provided the exterior shots of the property.
A house on Henrietta Street also provided the Album) site for Mrs. Radcliffe's residence. Gentleman Jackson's club, where Lefroy boxes, was represented by "the dark and otherworldly" Mother Redcaps tavern, also in Dublin. The musical score of the film was written by English composer Adrian Johnston.
To prepare melodies, he reviewed music books that had belonged to the Austen family. Later tracks ranged "in mood from upbeat and playful to somber and teary. Evening Herald. Retrieved 7 July The Sunday Times. ProQuest Irish Independent. The Christian Science Monitor. Retrieved 31 July The Celebrity Cafe. Archived from the original on 15 April Retrieved 5 April ISSN Retrieved 16 February Becoming Jane Austen.
London: Hambledon Continuum. The Washington Album). Retrieved 15 November A Companion to Jane Austen. Empire Online. Archived from the original on 31 December Victorian Vogue: British Novels on Screen. University of Minnesota Press. Heritage Film: Nation, Genre and Representation. Wallflower Press. Chick Lit and Postfeminism. University of Virginia Press. Persuasions On-line. Jane Austen Society of North America.
Retrieved 16 July British Film Institute. The Guardian. Retrieved 28 July Box Office Mojo. High Def Digest. Retrieved 3 August Rotten Tomatoes. Fandango Media. Retrieved 15 June Retrieved 1 January The New York Times. Entertainment Weekly. The Mirror. Retrieved 26 July — via Questia Online Library. The Belfast Telegraph. Archived from the original on 10 June The Daily Record. Time Out London. The Washington Times. Alt Film Guide. Golden Trailer Awards. Archived from the original on 31 May Heartland Truly Moving Pictures.
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