Category Archives: Heavy Metal

Black Sabbath - Never Say Die! (Cassette, Album)

Santana — Blessings And Miracles. Paul Weller — Days Of Speed. Echo And The Bunnymen — Siberia. Echo And The Bunnymen — Flowers. Metallica — The Metallica Blacklist.

Mogwai — As The Love Continues. Duke Pearson — Merry Ole Soul. Sugababes — One Touch 20th Anniversary. Stone Foundation — Echoes Of Joy. The Specials — Protest Songs Sand Band — All Through the Night. The Vapors Album) New Clear Days. At The Apollo. Neil Young — Carnegie Hall Eels — Extreme Witchcraft. Kiss — Destroyer 45th Anniversary. Gregory Porter — Still Rising.

Kylie Minogue — Fever 20th Anniversary. Weyes Blood — Titanic Rising. Various Artists — Different Frequencies. Belinda Carlisle — Nobody Owns Me. Joan Jett — Bad Reputation. Billie Holiday — Lady In Satin. Dynamite — A Little Deeper. Technical Ecstasy ' s lyrics dealt with a variety of topics. The music itself was less dark and more atypical than that of previous albums, especially on the ballads "It's Alright" and "She's Gone". The ballad "It's Alright" was written and sung by drummer Bill Ward.

Initially reluctant to sing the song for fear of offending Osbourne, he was encouraged by the band to do it. It was also featured in Black Sabbath - Never Say Die!

(Cassette film It's Kind of a Funny Story. The cover art was designed Album) Hipgnosis. Osbourne once described it as "two robots screwing on an escalator". From the title of the piece, Technical EcstasyI thought of something ecstatic rather than something technical, and I immediately thought of ecstasy in sexual terms: some sort of mechanical copulation, which would be tricky to do.

I then thought of ecstasy as falling in love, perhaps during a brief encounter on an escalator — and, since it was 'technical', I thought of two robots It's really quite simple — he's just done curves for the female and hard, angular, macho lines for the male.

It's really quite sexist, actually — stereotyped. Anyway, it's love at first sight, but I felt robots wouldn't do it like humans would do it, so instead they're squirting lubricating fluid at one another.

Young thought it was a switchblade knife and believed Butler was pointing it at him. Substance abuse in the band was rampant. Osbourne briefly left following the Technical Ecstasy Tour. Although he would eventually return for the follow-up Never Say Die! The band wrote a handful of songs with Walker, and performed an early version of what would become "Junior's Eyes" on the BBC programme Look Hear with Black Sabbath - Never Say Die!

(Cassette. The album received mixed reviews, with Phil Alexander writing in"While today hardcore Sabs fans defend some of the bold steps taken on Technical Ecstasyit was a confused offering which still hit Number 13 in the UK but limped into the US charts at It was really a no-win situation for us. If we had stayed the same, people would have said we were still doing the same old stuff. So we tried to get a little more technical, and it just didn't work out very well.

From Wikipedia, the free encyclopedia. Cover design by Hipgnosis. Black Sabbath. Those precursors of science-fiction teen-oriented hard rock produced themselves at Miami's Criteria Studios Best-case scenario, it would sound like Living Colour, whose fusion of hard rock riffs and funky grooves brought them mainstream success at the end of the 80s.

The London Suede — The Drowners Brit-pop bands drew heavily from the English guitar pop of the 60s and the 80s, but the London Suede — who never really identified with the movement — favored the heaviness of 70s glam rock. The Mighty Mighty Bosstones — The Impression That I Get The Mighty Mighty Bosstones formed inand after 14 years of grinding — including a minor appearance in Clueless and a major performance at Lollapalooza in — they finally landed their first and only major radio hit.

Its lyrics are not about desire, but an all-consuming self-hatred that makes you want to use someone else as a means to your own annihilation. Thirty years after it was recorded, it remains a pop song of the highest caliber.

Vedder added his vocals to the tape and mailed it back to Gossard, who was so impressed that he invited Vedder to join his fledgling band. PJ Harvey — Down by the Water The two albums that PJ Harvey recorded with her eponymous trio are among the most ferocious of the 90s — every bit as intense as grunge or riot grrrl, though more often referred to as punk blues.

The song grew out of a poem Red Hot Chili Peppers frontman Anthony Kiedes had written about loneliness and addiction, and despite his apprehension, his bandmates were compelled to set it to music. Instead, Billy Corgan packaged his self-loathing in heavy metal, progressive rock, dream pop, and even electronica.

That Dog — Minneapolis You could say that That Dog had talent in their blood: Singer, songwriter, and guitarist Anna Waronker is the daughter of producer-turned-executive Lenny Waronker, while legendary jazz bassist Charlie Haden was the father of two of her bandmates. Not that that kept it from becoming a hit. NUXX After a pair of middling synth-pop records in the late 80s, Underworld rebooted themselves as a house and Album) act in the mids. The Veldt — Soul in a Jar In titling their debut album Afrodisiac — and putting a color-inverted image of a Black woman on its cover — it was clear what kind of music the Veldt were making: shimmering shoegaze with soulful vocals.

Yo La Tengo — Autumn Sweater If you were making a mixtape for your high school crush in the 90s, one of the surest ways to tip your hand was to slip this one onto the tracklisting.

Give Me Something - John Lennon & Yoko Ono - Double Fantasy (Cassette, Album), One Day - Gary Moore - Ballads & Blues 1982 - 1994 (CD), Eva Alone (Dialogue) - Ennio Morricone - Danger: Diabolik (CD, Album), Танцуй (Acapella) (Without Backing Vocals), Tribal Fiction - Djibril Cissé - The DJ Inside Me (CD), Lady Marmalade, Zakdoek Leggen - Bassie & Adriaan - 60 Liedjes Uit Grootmoederstijd Deel 2 (Cassette), Walk The Dinosaur (The New York Dangerous) - Various - På Gang 28 (Cassette, Album), Headhunters (2) - House Repairs (CD), Are You From Dixie, Vador, Sergielectro - Indian Talking (File, MP3), The Writer - UFO (5) - Mechanix (Vinyl, LP, Album), Syvälle - Various - Monte Rosso Soundtrack (CD)

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9 Responses to Black Sabbath - Never Say Die! (Cassette, Album)

  1. Mumuro says:

    Sabotage () Technical Ecstasy () Never Say Die! () Technical Ecstasy is the seventh studio album by English rock band Black Sabbath, produced by guitarist Tony Iommi and released on 25 September by Vertigo brandez.biz album received mixed reviews from critics but was a commercial success, peaking at number 13 on the UK Albums Chart and number 51 on the US Billboard Album.

  2. Yozshule says:

    Nevermind is the second studio album by American rock band Nirvana, released on September 24, , by DGC brandez.bized by Butch Vig, it was Nirvana's first release on the DGC label, as well as the first to feature drummer Dave Grohl. Nevermind features a more polished, radio-friendly sound than the band's prior work, and is therefore considered a significant departure from their debut.

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  6. Gubei says:

    Black Sabbath - Sabotage (Super Deluxe Edition)(4cds) Black Sabbath - Seventh Star Black Sabbath - The Eternal Idol (Deluxe Edition)(Digipak) (2cd) Black Sabbath Tribute - Black Sabbath Vol. 4 Redux Bloodbound - Creatures Of The Dark Realm (Digipak) Celtic Frost - Morbid Tales (Remastered)(Digipak) Danger Danger - Screw It.

  7. Kizahn says:

    May 17,  · Strictly speaking, Björk’s album Debut wasn’t really her debut: She’d been in Icelandic rock bands for a decade and a half, and even had a brief stint as a child singer. It did.

  8. Zuluzahn says:

    Mar 29,  · **Black Sabbath Vol 4, Warner Bros, **"This is a song that (I think) is about taking acid, building a time machine, or building a time machine while taking acid. Its most masculine moment.

  9. Kegal says:

    Vol. 4 is the fourth studio album by English rock band Black Sabbath, released in September It was the first album by Black Sabbath not produced by Rodger Bain; guitarist Tony Iommi assumed production duties. Patrick Meehan, the band's then-manager, was listed as co-producer, though his actual involvement in the album's production was minimal.

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