· T'Ain't Nobody's Bizness excavates the hidden sexualities of Black female entertainers who reigned over the nascent blues recording industry of the s. Unlike the male-dominated jazz scene, early blues provided a space for 4/5().
T'Ain't Nobody's Bizness: Queer Blues Divas of the s: Directed by Robert Philipson. With Chris Albertson, Jewelle Gomez, Brian Keizer. Ma Rainey, Bessie Smith, Alberta Hunter and Ethel Waters were among the biggest blues singers of their day. Their nights, however, belonged to them--and the ladies they shared them with.7/10(11).
"Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a s blues song that became one of the first blues standards. It was published in by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a Genre: Blues.
Ain't nobody's business if I do If my man ain't got no money And I say, "Take all of mine, honey" Ain't nobody's business if I do If I give him my last nickel And it leaves me in a pickle Ain't nobody's business if I do Well I'd rather my man would hit me Than for him to jump up and quit me Ain't nobody's business if I do I swear I won't call.
To jump into the ocean'T ain't nobody's bizness if I do, do, do do. If I go to church on Sunday. Sing the shimmy down on Monday. Ain't nobody's bizness if I do, if I do. If my friend ain't got no money. And I say "take all mine, honey"'T ain't nobody's bizness if I do, do, do do. If I give him my last nickel.
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