Category Archives: Alternative

Nightingale - De-Cultures - Nightingale (CD, Album)

Music is life in Sudan, from birth to death. When the woman makes tea or coffee in the morning she has a special song [he starts singing].

She has a song and she grinds out the pestle in time as she grinds coffee. If we have problems in the community, we bring together everyone to solve the problem, we consult the elders, we talk, we sing, we talk more! She sits on a wonky plastic chair which is incongruous in a 12th-century fort. Her face is lined and tired. Just stepped out of a war zone and a country that is dominating the headlines: Mali.

She was born in the village of Abaradjou in the Sahara Desert north of Timbuktu, her parents came from different ethnic backgrounds, mother Songhai and father Berber. Her music, which is vastly more popular at home than that of her internationally famous cousin Salif Keitacaptures the numerous ethnic groups, styles and poetry of the north of Mali.

Salif Keita is also resigned. Timbuktu was the site of one of the largest Islamic libraries in Africa, and a meeting point for scholars, who contributed to the established Islamic tradition of debate and interpretation of the Koran.

However last June, the shrines were declared by the Islamists to be idolatrous. She sees herself as a bridge between secular and religious, Africa and Europe, earthly and mystical. I want the public to forget I am an artist. I am not here to change people, I am here to shine, the more I become light, the more I become the sun, the people they can see it, if they are ready. She recounts a story at an international festival in Belgium when the mostly Muslim crowd complained, and nearly revolted.

From all their tours in the US, they know how to get dancers not only moving but also hollering with delight. This CD has selections from their 5 albums. Prepare yourself for some exhilarating, energetic New England and progressive contra music. Some of the tracks employ unusual intruments for Album) modern flair, but overall the CD retains a traditional flavor.

Nightingale - De-Cultures - Nightingale (CD vibrant fiddling, jivin' piano rhythms, and ethnic percussion give these catchy tunes a lot of Album). Three by Nightingale available from iTunes and here. Nightingale is a very skilled group that plays some of the most expressive and refined New England and Canadian contra music you'll ever hear.

This masterpiece Album) an album is beautiful and powerfully moving. Louis Youth Contra. Search this site. Navigation Home page. About us. Although much of the Sex Pistols' energy was directed against the establishment, not all of rock's elder statesmen dismissed them.

Pete Townshend of the Who said:. When you listen to the Sex Pistols, to "Anarchy in the U. This is a bloke, with a brain on his shoulders, who is actually saying something he sincerely believes is happening in the world, saying it with real venom, and real passion. It touches you and it scares you—it makes you feel uncomfortable. It's like somebody saying, "The Germans are coming! And there's no way we're gonna stop 'em! Along with their abundant musical influence, the Sex Pistols' cultural reverberations are evident elsewhere.

Jamie Reid's work for the band is regarded as among the most important graphic design of the s and still influences the field in the 21st century. According to Nolan, "We very much took the view in looking at the character of the Joker that what's strong about him is this idea of anarchy. This commitment to anarchy, this commitment to chaos. The Sex Pistols were defined by ambitions that went well beyond the musical—indeed, McLaren was at times openly contemptuous of the band's music and punk rock generally.

Deprecating the music, McLaren elevated the concept, for which he later took full credit. He claimed that the Sex Pistols were his personal, Situationist-style art project: "I decided to use people, just the way a sculptor uses clay. The Sex Pistols were as substantial as pop culture could get: "Punk became the most important cultural phenomenon of the late 20th century", McLaren later asserted.

Lydon, in turn, dismissed McLaren's influence: "We made our own scandal just by being ourselves. Maybe it was that he knew he was redundant, so he overcompensated. All the talk about the French Situationists being associated with punk is bollocks.

It's nonsense! The Jamie Reids and Malcolms were excited because we were the real thing. I suppose we were what they were dreaming of. Toby Creswell argues that the "Sex Pistols' agenda was inchoate, to say the least.

It was a general call to rebellion that falls apart at the slightest scrutiny. If they did anything, they made a lot of people content with being nothing.

They certainly didn't inspire the working classes. It was over the edge of the precipice in social terms. They were actually giving a voice to an area of the working class that was almost beyond the pale. Incritic Greil Marcus reflected on McLaren's contradictory posture:.

It may be that in the mind of their self-celebrated Svengali It may also be that in the mind of their chief terrorist and propagandist, anarchist veteran The Sex Pistols were all of these things.

A couple of years before, Marcus had identified different roots underlying the band's merger of music and politics, arguing that they "have absorbed from reggae and the Rastas the idea of a culture that will make demands on those in power which no government could ever satisfy; a culture that will be exclusive, almost separatist, yet also messianic, apocalyptic and stoic, and that will ignore or smash any contradiction inherent in such a complexity of stances.

Critic Bill Wyman acknowledges that Lydon's "fierce intelligence and astonishing onstage charisma" were important catalysts, but ultimately finds the band's real meaning lies in McLaren's provocative media manipulations. Matlock later wrote that at the point when he left the band, it was beginning to occur to him that McLaren "was in fact quite deliberately perpetrating that idea of us as his puppets However, on the other hand, I've since found out that even Malcolm wasn't as aware of what he was up to as he has since made out.

Music historian Simon Reynolds argues that McLaren came into his own as an auteur only after the group's break-up, with The Great Rock 'n' Roll Swindle and the recruitment of Ronnie Biggs as a vocalist. As music journalist Dave Thompson noted in"[T]oday, Swindle is viewed by many as the truth" [] despite the fact that the movie purveys, among other things, a completely illiterate Steve Jones, a talking dog, and Sid Vicious shooting audience members, including his mother, at the conclusion of "My Way".

Temple points out that McLaren's characterization was intended as "a big fucking joke—that he was the puppetmeister who created these pieces of clay from plasticine boxes that he modeled away and made Johnny Rotten, made Sid Vicious.

It was a joke that they were completely manufactured. Ever since Elvis Presley joined the army! According to Pistols tour manager Noel Monk and journalist Jimmy Guterman, Lydon was much more than "the band's mouthpiece. He's its raging brain. McLaren or his friend Jamie Reid might drop a word like 'anarchy' or 'vacant' that Rotten seizes upon and turns into a manifesto, but McLaren is not the Svengali to Rotten he'd like to be perceived as. McLaren thought he was working with a tabula rasa, but he soon found out that Rotten has ideas of his own".

He had so many just extraordinary ideas". He chose McLaren, not vice versa. From Wikipedia, the free encyclopedia. English punk rock band. Sample of "No Fun", a cover version of the Stooges song—studio recording from or Graffiti of the Sex Pistols.

Popular Music Theory: Grade 4. Registry Publications Ltd. ISBN Retrieved 28 May Rolling Stone. Archived from the original on 17 February Retrieved 21 February Retrieved 17 March England's Dreamingpp. Metropolitan Museum of Art. Retrieved 7 October The Quietus. Retrieved 3 August Archived 14 January England's Dreamingp. Retrieved 10 October See also Savage, Jon, England's Dreamingpp.

Matlock says the band decided on the name while McLaren was in the United States—no later than May —before Rotten even joined p.

Jon Savage says the name was not firmly settled on until just before their first show in November England's Dreamingp. The Independent. Retrieved 15 October Strongman says that Rotten was pinned to the wall by Bazooka Joe's Danny Kleinman; after an apology, the Pistols continued playing for a few more minutes.

Robb describes a brief fistfight that took place after the plugs were pulled. Retrieved 9 October Retrieved 6 February Observer Music Monthly. Retrieved 20 September Quote: Savage, Jon, England's Dreamingp. Retrieved 14 March Quote: Gimarc, George, Punk Diaryp. Jonh Ingham—My Back Pages. Retrieved 19 March Savage, Jon, England's Dreamingpp. Retrieved 9 March Savage's transcription, unlike Strongman's, Southall's, and the one that appears on the cover of the Daily Mirrorincorrectly has Grundy saying "ten seconds" and Jones saying "You fucking rotter.

See also Strongman, Phil, Pretty Vacantp. Manchester Archived from the original on 18 October Retrieved 14 October Retrieved 22 July The transcription of the television interview has been corrected per the documentary footage used in The Great Rock 'n' Roll Swindle — Retrieved 13 January Rhino Magazine.

Archived from the original on 15 July Retrieved 4 December Quote: p. See also pp. Steve CrabtreeBBC documentary For a view Album) Vicious was a more competent bass player than his reputation would have it, see Strongman, Phil, Pretty Vacantp. Retrieved 20 March Retrieved 22 June Retrieved 22 September The Observer. Retrieved 18 March Archived from the original on 21 March Retrieved 1 July Archived from the original on 19 Nightingale - De-Cultures - Nightingale (CD Retrieved 31 March See also p.

Jones also recalls Vicious showing up to record for "God Save the Queen". Lydon reports recording an unused version of "Submission" with Vicious pp. Archived from the original on 22 June Archived from the original on 9 January Spong, John 29 January Texas Monthly. The transcription has been slightly expanded per the documentary footage used in The Great Rock 'n' Roll Swindle — The sound cuts out immediately after the word "cheated". Gimarc refers to sources claiming that the "My Way" recording involved no contact between Vicious and the Jones-Cook duo; Temple, however, says that Jones was flown over to Paris to join Vicious in the studio Temple, Julien, "Commentary", —and seems to indicate that he recorded his guitar part there — Savage describes the single as being a double A-side; other sources indicate that the Biggs vocal was the A-side and the Vicious vocal the B-side e.

There is no disagreement that the Vicious side was the more popular. For the management termination, see also Temple, Julien, "Commentary", — Retrieved 12 October Retrieved 11 October The Times. Retrieved 4 October Archived from the original on 17 July Retrieved 3 October Savage says there are six Rotten vocals p.

Archived from the original on 29 September Retrieved 9 September Archived from the original on 1 February Retrieved 24 May Archived from the original on 15 October The Age. Retrieved 6 September Rock and Roll Hall of Fame. Archived from the original on 17 October Retrieved 6 October The List.

Archived from the original on 17 September Retrieved 27 July Contactmusic News. Retrieved 12 August Retrieved 27 February LA Weekly. Retrieved 1 January Archived from the original on 4 February Retrieved 19 May Trouser Press. Archived from the original on 19 June The Sunday Times. Sydney Morning Herald. Johnson, Martin. Barnes and Noble. Archived from the original on 15 February Retrieved 11 July Retrieved 22 March

Sudden Death (9) - Promo Tape (Cassette), City Scenes - Various - Doobie Do Disc (Vinyl, LP), Country Caravan - Blitzen Trapper - Wild Mountain Nation (CD, Album), Intro For Paperback Writer And Rain Promos - The Beatles - The Ed Sullivan Shows (CD), Bluegrass - Faithless - No Roots (CDr, Album), Follow Me - Elusive - Lost Files 2004 (CDr), Chanelle - Work That Body (Cassette), No. 20 (K. 133, Longo 282) In C Major - Scarlatti* / Ralph Kirkpatrick - Sixty Sonatas In Two Volume, Sometimes (Bebetta Remix) - Alle Farben Feat. Graham Candy - Sometimes (File), Wir Werden Die Sieger Sein - Andreas Martin (2) - Aber Dich Gibts Nur Einmal Für Mich (CD), When Love Is Gone (Live Video) - Unruly Child - Reigning Frogs – The Box Set Collection (CD), Sinking - Celan - Halo (Vinyl, LP), Eres-Tu - Tonny Eyk - International Piano Party (CD, Album)

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