Van Hamersveld therefore augmented the "underground graphic" cover image with a design concept that highlighted the songs. In Gould's description, the LP cover "had the garish symmetry of a movie poster" through the combination of the Beatles' animal costumes, the "rainbow" film logo, and the song titles rendered in art-deco lettering "amid a border of op-art clouds".
In Britain only, the film was then screened on Boxing Day to an audience estimated at 15 million. Any resentment or hostility that the watching audience might have felt towards the Boxing Day broadcast of Magical Mystery Tour was more than amply counterbalanced by the fact that for three weeks over the Christmas and new year period the "Hello, Goodbye" single and the Magical Mystery Tour EP were numbers one and two in the UK singles chart.
You heard them everywhere and all the time, resplendent in tandem. In Britain, the EP peaked at number 2 on the national singles chart behind "Hello, Goodbye",   and became the Beatles' ninth release to top the national EPs chart compiled by Record Retailer.
Pepperinadvertently brought an end to psychedelic pop. Pepper was destabilised as individual creative agendas were increasingly pursued over Reviewing the EP a month before the film's screening, Nick Logan of the NME enthused that the Beatles were "at it again, stretching pop music to its limits". He continued: "The four musician-magicians take us by the hand and lead us happily tripping through the clouds, past Lucy in the sky with diamonds and the fool on the hill, into the sun-speckled Album) along Blue Jay Way and into the world of Alice in Wonderland … This is The Beatles out there in front and the rest of us in their wake.
Pepper "the effects were chiefly sound and only the album cover was visual", on Magical Mystery Tour "the visual side … has dominated the music", such that "[e]verything from fantasy, children's comics, acid psychedelic humour is included on the record and in the booklet. Pepper in emotion and depth, and "distinguished by its description of the Beatles' acquired Hindu philosophy and its subsequent application to everyday life".
Having been one Album) the few critics to review Sgt. Pepper unfavourably,  Richard Goldstein of The New York Times rued that the new songs furthered the gap between true rock values and studio effects, and that the band's "fascination with motif" was equally reflected in the elaborate packaging.
Goldstein concluded: "Does it sound like heresy to say that the Beatles write material which is literate, courageous, genuine, but spotty? It shouldn't. They are inspired posers, but we must keep our heads on their music, not their incarnations. Reed said that exchanging drugs for meditation as their subject matter had left the Beatles "totally divorced from reality", and he especially ridiculed "I Am the Walrus" on an LP he deemed a "platter of phony, pretentious, overcooked tripe".
Christgau still found it a valid album, "for all the singles, which are good music, after all; for the tender camp of 'Your Mother Should Know'; and especially for Harrison's hypnotic 'Blue Jay Way,' an adaptation of Oriental modes in which everything works, lyrics included".
In his review for BlenderPaul Du Noyer writes: "They lost the plot with their dopey TV film, but was still their zenith as songwriters. For once, the U. The result was simply the best set of Beatles tunes so far on a single disc. Still, the music is mostly great. Pepper and highlighted "I Am the Walrus" as a "mad, surrealist epic Pepper should have been".
He says that while the album resembles a Sgt. Pepper "Part 2", it "breathes easier and includes stronger songs" and benefits from the lack of a "forced concept". Among Beatles biographers, Jonathan Gould says the album's resequencing of the EP songs heightens the project's " Pepper redux" quality, with its opening title track recalling "Sgt. He similarly views "The Fool on the Hill" as the " Fixing a Hole "—style "cool, contemplative ballad", just as Harrison provides "another droning epic" and McCartney offers "another archaic number" in "Your Mother Should Know", which he finds a "halfhearted attempt at satiric nostalgia".
Magical Mystery Tour was ranked at number in Paul Gambaccini 's book Critic's Choice: Top AlbumsAlbum) based on submissions from a panel of 47 critics and broadcasters. Christgau wrote in an accompanying essay: "Because it begins with the lame theme to their worst movie and the sappy 'Fool on the Hill,' few realize that this serves up three worthy obscurities forthwith — bet Beck knows the sour-and-sweet instrumental 'Flying' by heart.
When standardising the Beatles' releases for the worldwide compact disc release inEMI issued Magical Mystery Tour as a full-length album in true stereo. The album along with the Beatles' entire UK studio album catalogue was remastered and reissued on CD in Acknowledging the album's conception and first release, the CD incorporates the original Capitol LP label design. The remastered stereo CD features a mini-documentary about the album.
Initial copies of the album accidentally list the mini-documentary to be one made for Let It Be. The packaging includes the page booklet from the original, reduced in size in the case of the CD. In the stereo album was reissued on vinyl, using the remasters and the US track lineup and including the page booklet.
The CD album climbed to number 1 on the Billboard Catalog Albums chart, number 2 on the Billboard Soundtrack albums chart, and re-entered at number 57 on the Billboard albums chart for the week ending 27 October BPI certification awarded only for sales since From Wikipedia, the free encyclopedia. For the song, see Magical Mystery Tour song.
For the film, see Magical Mystery Tour film. Psychedelia   psychedelic pop  art pop . Excerpt from the opening title track. Led by Harrison's Hammond organ, " Blue Jay Way " features an arrangement in which Western instruments capture an Indian setting,   with a cello evoking a sarod. Pepper ". Pepper track " Lovely Rita ". Then, an entire session was dedicated to overdubbing backing vocals, sundry noises and a paper-and-comb "orchestra".
He cites the entrance of a group of female RAF cadets, amid a crowd of formally dressed ballroom dancers, as an example of the scene having "a satirical undercurrent and [addressing] the fissures of late s politics".
Rolling Stone. Archived from the original on 30 August Retrieved 29 January The Daily Beast. Archived from the original on 20 March Retrieved 15 March Ultimate Classic Rock. Archived from the original on 29 June Expand the sub menu More Coverage. Expand the sub menu More Variety. Switch edition between U. Asia Global. To help keep your account secure, please log-in again. You are no longer onsite at your organization.
Auch diese Single schaffte es sofort auf den Spitzenplatz der Hitparade. Fans der Beatles mussten bis zum 4. Die Single stieg auf Platz 2 in die Hitparade ein und erreichte am Juni Platz 1.
A Collection of Beatles Oldies kam bis auf Platz 6 der britischen Hitparade und war damit das erste Beatles-Album, das nicht die Spitzenposition erreichte. Es war das erste Jahr, in dem die Beatles sich ganz auf ihre Arbeit im Aufnahmestudio konzentrierten, da sie nach ihrer USA-Tournee im August beschlossen hatten, keine Konzerte mehr zu geben.
Februar erschien die Single der Beatles. Das Resultat der intensiven Zeit, die sich die Beatles im Studio genommen hatten, wurde am 1. Das achte Album der Beatles, Sgt. Nachdem die Beatles am Juli die Die Single erreichte direkt den ersten Platz der Hitparade. Die Beatles erhielten am Es dauerte bis zum Dieses Jahr war stark beeinflusst vom Indienaufenthalt der Gruppe. Die Beatles hatten die Single bereits vor ihrer Abreise nach Indien aufgenommen.
Die Single stieg auf Platz 6 in die britische Hitparade ein und stieg dann auf den ersten Platz. Das zehnte Album Dr. Robert - The Beatles - Revolver (CD Gruppe wurde am Es war das erste Doppelalbum, das den ersten Rang erreichte. Nachdem es bereits zu Spannungen innerhalb der Gruppe gekommen war, setzte sich diese Entwicklung fort.
Es war der Soundtrack zum Zeichentrickfilm Yellow Submarine. Die Arbeiten am Projekt Get Back waren am Januar vorerst beendet worden. Position 4 war die beste Platzierung in der britischen Hitparade. Das Material stammte mit einer Ausnahme aus den Aufnahmen, die zu Beginn des Jahres entstanden waren.
Ihre beste Hitparadenplatzierung war ein zweiter Platz. Das letzte Album der Beatles wurde am 8. Let It Be war der Soundtrack zum gleichnamigen Film. Die Single kam nicht in die Hitparade. September Januar auf den Markt zu bringen. Die Single stieg am Januar auf Platz 45 in den Billboard Charts ein.
Unter dem Titel Introducing… The Beatles erschien am Januar das erste amerikanische Album der Beatles. Februar Schon am Vom 7. Februar, der im Deauville Hotel in Miami Beach stattfand. Es folgte am The Four Seasons. Die restlichen Titel waren Liveaufnahmen von Frank Ifield. In den USA erschien dann am Die Tournee endete am Abbey Road wurde in den USA am 1.
Mai folgte das Album Let It Be. Es war das Livealben: Live! Der Titel dieses Artikels ist mehrdeutig. GesangRhythmusgitarreKlavier. Gesang, GitarreBassKlavier. Gesang, LeadgitarreSitar. SchlagzeugPercussion, Gesang.
Dieser Abschnitt ist nicht hinreichend mit Belegen beispielsweise Einzelnachweisen ausgestattet. Februar CD Neuauflage: 9. November Neuauflage: Juni Neuauflage: August Neuauflage: April CD Neuauflage: 9. Dezember Neuauflage: Juli Neuauflage: Mai Neuauflage: 1.
Juni CD Neuauflage: 9. September Remaster Neuauflage: November Neuauflage: 1. Juli CD Neuauflage: 9. August CD Neuauflage: 9. September Remaster Neuauflage: 9. Januar Neuauflage: September Neuauflage: Oktober CD Neuauflage: 9. Mai Neuauflage: SeptemberSchweiz: Chartlistung Alben Schweiz erst ab SeptemberSchweiz: 6. Oktober In: apple. Abgerufen am In: Reuters. November reuters. ISBNS. Winn: Way Beyond Compare:. In: dradio.
Deutschlandradio, abgerufen am In: guardian. Januarabgerufen am Oktober englisch. Batsford Ltd. A History of the Beatles on Record. Right from the start, Led Zeppelin's album art was godlike. The band's self-titled debut bore a cover image of the flaming Hindenburg airship. The untitled fourth Led Zep album burst with iconic city-country collages and mystic runes. Physical Graffiti intrigued with art-conscious photo-sleeves of a New York tenement.
Led Zeppelin III 's gatefold sleeve even featured a rotating volvelle of images. Clarke's sci-fi classic Childhood's End. Zeppelin's epic full-lengths remain testaments to ferocious riffage and cerebral graphics. Like Pink Floyd, The Who mastered the merge of concept albums and art, creating timeless work buttressed by seeking brains and ferocious musicianship. The quartet's effort The Who Sell Out was a stab at commercialism emblazoned with fake ads for deodorant and beans.
The resilient double-album rock opera Tommy unfolded into a triptych with spanning graphics that recalled the arty math of M. Incendiary concept album Quadrophenia psychoanalyzed The Who using field recordings, unhinged rock and butterfly packaging that, like Tommy before it, contained an image-studded minibook that explained the story and showed off the lyrics.
Throw in the controversial piss party of Who's Next as a chaser, and you've got a band with album imagery that remains as powerful as its music. This effort from British standout Small Faces topped the British charts with heavy rock and soul tracks anchored in a conceptual quest for a missing half of the moon.
The release's novel early packaging — which replicated a tobacco tin and was rounded out by an enclosed poster created by assembling five paper circles — thoroughly hooked the public. Like other work from the '60s, Small Faces' Ogden's Nut Gone Flake combined modern art and music in ways that revolutionized not just LP graphics and packaging, but also the industry.
By the time the '70s arrived, mind-wiping cover art had become practically mandatory. Called the Picasso of jazz by Duke Ellington, Miles Davis had already sequenced the genes for cool and modal jazz by the time he got to effort Bitches Brewwhich smashed jazz through an electronic rock grinder. Celebrating its 40th birthday this year, Bitches Brew continues to be one of the most celebrated musical efforts in history of any genre, at least partially because of its stunning gatefold cover.
Created by acclaimed artist Mati Klarweinwho studied with Salvador Dali and Ernst Fuchs, Bitches Brew 's spacious, surreal cover art folded out into a stunning mural. He died in Forgotten password? Please sign up in order to Album) files.
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