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Bonjour Paris TimA checked La casa LP) 8 minutes ago. La casa 3 We made an album of jazz classics, but it has a modern twist. In JanuaryEvans confirmed that he would have a fairly significant part in the making of the album, stating "I don't know at this point exactly how many songs will be on the CD, but I'm sure we'll have about four or five different-sized orchestras or bands. It'll turn into a giant panic, I can assure you. That's just how this business is. In SeptemberBennett explained that for the album, they recorded "all great standards, quality songs; George GershwinCole PorterJerome KernIrving Berlinsongs like that.
With a big swingin' band and great, great, jazz artists playing. She described Cheek to Cheek as a "rebellious" and "liberating" album for her because she was able to sing without worrying about record producers engineering it for radio. Bennett said that Gaga had written an original song for the album titled "Paradise". It also contained solo performances along with the duets; Gaga later clarified that the album contained only standards. Although the project was in development and discussions were taking place as early as Septemberthe recording did not start until the Spring ofbeing delayed by Gaga's hip surgery and cancellation of her Born This Way Ball tour.
Along with Evans, jazz trumpeter Brian Newmana long-time friend and colleague of Gaga, played on the album with his New York City based jazz quintet. Tenor saxophonist Joe Lovano and flautist Paul Horn were also enlisted as musicians. According to Gaga, Bennett wanted her to sing different songs and was impressed by her vocals during "Lush Life", referring to the Billy Strayhorn written standard that has been recorded by LP) from Nancy Wilson and Sarah Vaughan to Donna Summer and Linda Ronstadt.
If he can hear that, I'm okay. If he can't hear it, I'm not an authentic jazz voice", she added. I wish she was still here. She was jazz to her core". While recording Cheek to Cheek she was emotionally upset about her professional and personal conflicts encountered during the Artpop era; Bennett had to support and guide her through the process.
Gaga had informed the musicians about performing the song, and piano player Alex Smith made the necessary musical arrangements the night before the concert. They did not rehearse it, and recorded it live when Gaga performed the song in front of the audience. The first song, "Anything Goes", was recorded by Bennett for his collaboration with Count Basie and his Orchestra, Strike Up the Bandand Gaga first came to know about it when she was 13 years old.
Gaga thought that "Anything Goes" was a funny track with a "real sexy, powerful vibe to it, and it's just because we're having fun singing it. The syllables are pronounced strongly by Gaga in syncopation while her vibrato complemented Bennett's characteristic jazz vocals and swing. Olivier added, "Gaga's voice, when stripped of its bells and whistles, showcases a timelessness that lends itself well to the genre.
The version on Cheek to Cheek opens with the sound of high-hat and an electronic organ. Gaga alters the lyrics to sing "Gee, I'd like to say you're looking swell, Tony", who later rejoins with the line "Diamond bracelets Woolworth doesn't sell, Gaga".
Written by eccentric songwriter eden ahbezthe song about a "strange enchanted boy" features instrumentation from flutes and drums, and has an orchestral arrangement. A loungier version, Gaga sings in a Liza Minnelli inspired voice with a breathy range, followed by Bennett complimenting her with the story of meeting the titular character.
On December 12,Bennett revealed to CNN that the album's release was delayed and the final release date was confirmed as March 18, On July 29,Bennett and Gaga appeared on The Today Show to formally announce their collaboration and confirmed the final release date in the US as September 23, He wanted to see how Cheek to Cheek fared after its release, but Gaga wanted to start working on the collaboration "right away".
Bennett added: "we're gonna do two albums in a row with her. We'll have to try and do that as soon as possible, just as a follow-up for a second album. Photographer Steven Klein shot the album covers, and was responsible for the artistic ideas behind the packaging of the LP).
He also developed the cover art for "Anything Goes". The singer explained that she and Bennett were sitting and talking when Klein had suddenly photographed them. The complete track list for the album was also revealed alongside the cover arts. The standard edition consists of 11 tracks while the deluxe edition has 15 songs listed. A grams 0. In JuneGaga began promoting the album through a series of public appearances with and without Bennett, the first of them being at the Frank Sinatra School of the Arts in New York City.
At the school, which was founded by Bennett and his wife Susan Crow, the pair performed as a duo and individually, and fielded questions from the audience. They concluded their engagement by watching a performance from the school's choir. The artists announced the news on Instagram.
The music special gave fans an exclusive look behind-the-scenes at the making of the album, as well as never-before-seen footage of the two artists collaborating in the recording studio. It also showcased their song selection process from the Great American Songbook. Set and lighting was created by Robert Wilsonwhile David Horn directed it.
Bennett and Gaga were joined onstage by a piece orchestra conducted by Jorge Calandrelli, soloists Chris Botti on trumpet and David Mann on tenor saxand jazz musicians associated with both artists. The channel's vice president Jamie Reynolds explained that their decision to incorporate the "classic swing vibe of New York" led them to use the Cheek to Cheek songs. Universal Music provided the videos for the songs, which were then mixed with tennis shots and used in the ads.
Their performance received positive reviews, with The Daily Telegraph ' s Anne Bilson giving it four out of five stars, complimenting their vocals, saying "Bennett had the lungs to compensate, and Gaga had the moves. Bennett had confirmed that he and Gaga would tour jazz festivals insupporting Cheek to Cheek. Bennett also explained that he was accustomed to playing in acoustic music halls and outdoor theaters, so Gaga had been looking at such options.
That's how she wants to work with me. He also noted that the concerts had a much higher ticket price than the average, especially in the secondary markets. It also charted at number on the sales chart of the Official Charts Company.
The song was Bennett's 15th entry on the Jazz Digital Songs chart, and his third number-one single. Gaga announced the release on Twitter, accompanied by the single's cover art. The video was shot in the recording studio and the first half showed Gaga in numerous outfits and wigs, while recording the song and roaming around.
Bennett joins the studio sessions later on, singing the song. The final chorus finds the two singers belting together, described as "join[ing] forces for a peculiar, yet potent blend of styles that transcends generations and genres". Jon Blistein from Rolling Stone complimented the video, saying that it "proves [Bennett and Gaga] exude a unique, adorable brand of musical chemistry". Additionally, " Nature Boy " was released for streaming on Gaga's Vevo channel from September 16, Gaga had previously tweeted about the background of the song, as well as about the death of flautist Horn.
At Metacriticwhich assigns a weighted mean rating out of to reviews from music critics, Cheek to Cheek received LP) average score of 64, indicating "generally favorable reviews", based on 12 reviews.
He added that the singers were able to "flawlessly" merge their unique vocals, that was reflected in their in-studio rapport, and thus onto the songs on Cheek to Cheek. She also praised that "Cheek to Cheek reveals the considerable warmth and depth of her voice".
Her lower register is warm and her phrasing is heartfelt. Both singers revel in swing rhythm, eager to buoy from one offbeat to the next and the next. They achieve considerable energy. But it's when things slow down that you can hear what these artists are capable of as interpreters, alone and together. Jazz author Ted Gioiawho reviewed the album for The Daily Beastwas surprised by Gaga's ability to sing jazz, saying that "in all fairness to Lady Gaga, any singer who matches up with Tony Bennett needs to get loud and assertive Dolan felt the album "proves she can be a sophisticated lady".
Gan from Associated Press also praised Bennett and Gaga's singing, writing that "Had she been born in an earlier era, Gaga would have been right at home in an MGM musical". With three stars out of five, Kenneth Partridge from Billboard opined that Gaga justified Bennett's faith in her — but sometimes "too forcibly" — and that she needed him, more than he needed her, on the recording of the album.
Partridge summarized that overall, they had a "blast together and both will benefit from this pairing". Bennett received great review from the site about the agility and pluck he is able to sing the songs. In a mixed review, Stephen Thomas Erlewine from AllMusic declared that " Cheek to Cheek is a record where the music and even the songs take a backseat to the personalities".
Camp criticized Bennett and Gaga's vocals in the album, adding that "If not for the session musicians' top-notch work Cheek to Cheek debuted at number one on the Billboard withcopies sold in its first week according to Nielsen SoundScanearning Gaga her third consecutive number-one album and the second for Bennett. Bennett beat his own record—previously achieved in with Duets II —as the oldest living act to earn a number one album in the US,  giving him the Guinness World Records for "oldest person to reach No.
In the United Kingdom, the album debuted at number ten on the UK Albums Chart with sales of 10, copies, making it Gaga's fifth top ten album and Bennett's third. From Wikipedia, the free encyclopedia. This article is about the Tony Bennett and Lady Gaga album. For other albums, see Cheek to Cheek disambiguation. Tony Bennett and Lady Gaga. Cheek to Cheek consists of jazz standards by popular jazz composers and lyricists, including Cole Porter left and Irving Berlin right. Gaga's image on the album cover was compared to singer Cher left.
Main article: Cheek to Cheek Tour. Dorothy Fields Jimmy McHugh. Cy Coleman Carolyn Leigh. Johnny Burke Jimmy Van Heusen. Matt Malneck John Mercer. George Gershwin Ira Gershwin. Burton Lane Alan Jay Lerner. Richard Rodgers Lorenz Hart. Lane Frank Loesser. Meiselas — legal issues Sonya Guardo — legal issues Lisa Einhorn-Gilder — production co-ordinator Dyaana Kass — marketing Jurgen Grebner — international repertoire Tomoko Itoki — international repertoire Nick Miller — international repertoire Amanda Silverman — public relations Dennis Dauncy — public relations Interscope Ianthe Zevos — creative director Steven Klein — photographer Gretchen Anderson — production work.
Digital Fifth Avenue - Glenn Miller - The Glenn Miller Collection (Vinyl CD. Interscope Universal. Streamline Columbia Interscope. Retrieved Fifth Avenue - Glenn Miller - The Glenn Miller Collection (Vinyl 11, — via Twitter. Rolling Stone. Archived from the original on July 30, Retrieved July 31,
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